Kits and Writing.

So I got some updates for the site we’re going to skip the “it’s been a whi-” and just move on.

A lot has gone down since the last update, including getting a fancy new position at Ford which I am greatly enjoying. That has made things a bit hectic but the last few weeks have gone by lightning-quick. I am really loving it.

I’ve also made the decision to work more on professionalizing my portfolio of soccer kits. Will it lead to a profession switch? Unlikely. Could I potentially make a few bucks off it? Maybe. Honestly, I’d love to see some of my designs become real. That would be absolutely fantastic.

If you read my twitter feed, which I don’t necessarily recommend Mum, I often post stuff while working including some snapshots of a big on-going project I’ve started.

What is this project; you ask.

Well, I am doing a big world building project set in the same world as my novels. It’s a big world cup write up, and it’ll have news articles, team profiles, stadium profiles, potentially player profiles, and a whole boat load of kits. At least 96 of them: home and away for 48 teams.

https://twitter.com/pirmas697/status/843948691451011072

I’ve already got 48 crests made, though I am not 100% happy with all of them. They were quickly thrown together with stock heraldry images from Wikimedia. Already I have about 18 kits finished, so I have quite a bit of work to do. And that’s okay, I’m planning on this taking most of the summer.

It’ll be fun and I’ll make sure to have a page to showcase it. Not sure how, but I got some ideas. I hope that everyone else will enjoy it half as much as I have so far.

https://twitter.com/pirmas697/status/845726249167339520

There’s a lot to post and explore so I’ll only have a few slices here.

Done on a whim for Paradox Interactive (not popular with the studio manager, Johan):

https://twitter.com/pirmas697/status/845044112688590848

A little idea for Bristol Rovers FC:

https://twitter.com/pirmas697/status/845740747567611904

And of course Detroit City FC:

https://twitter.com/pirmas697/status/839234507572199427

https://twitter.com/pirmas697/status/838910793286565889

Another quick mock-up for a friend:

If you have any ideas or criticism, reach out on twitter. Currently I take requests on an impulse-based sort method. Not sure how long that’ll last, though. As the Detroit City season quickly approaches, my free time will soon dissolve to nothing.

On the flip side some news regarding my writing. I have finished the rewrites of book 2, finally! It has grown by about 10,000 words to 137,000. I think the pacing has been improved and I’m happy with it in general. It’ll definitely need a final smoothing that’ll come once I get the drafts for books 3 and 4 done, which I am going to start in about ten~fifteen minutes when I am done here!

I’m pretty much actually being productive, which is great. It feels great to be getting so much done.

Of course, as I write this, it is a quarter to eight and I’ve been trying to get this done since before four… then I got distracted with the Bristol kits.

So I am going to sign off and get back to writing. I got a long way to the expected 175,000 words of book 3.

Cheers, everyone.

The Winding Road

Today I went on a bit of a winding road of world building and it all started because I wanted to make a soccer kit. Over-all the kit took about ten minutes to make and the world building took about four or five hours by my count. It involved conlanging, linguistics, some alphabet work, image manipulation, heraldry, and then eventually some soccer.

Let’s get a baseline.

Anyone who follows my profile on Wikipedia (if you do, wow, that’s uh… dedication…) will see that I often just “doodle” soccer kits there using the Wikimedia template for kits. In the last week I added six more:

These are meant to represent home and away kits for three nations from the world of my novels sped up to the “present” day (about 450 years after my novels). Why? Because it’s fun for me. The top two are Hadyrland, the country most of my novels are set in; the middle two the Union, which is heavily involved; and Steriou, which a couple characters have ties to.

Note: yes, the three shades of orange in the bottom two bothers the FUCK out of me.

The national sport of Hadyrland is Kémõ /keɪmɔ̃/ (Hurling) and the national sport of the Union is (in Hadysh) Wixgaħ /wɪxgaʁ/ (Cricket). I have these words because they are in my novels. I’ve even posted about Hadysh Hurling in the past.

But like in this world, just about every nation plays football, which is also the national sport of Steriou. And also like in our world, there is a big international organization that regulates the sport and organizes the world game between all the nations.

I wanted to make a realistic rendering of the Hadysh home kit, so that meant I needed certain details, like a crest. The crest would need some details too: shapes, colors, labels, elements. So for that I started with the crest of the Italian National Rugby team (they played today, so it was on the mind). It’s a simple tricolor crest with the initials of the national rugby federation on top and the name of the country at the bottom. Plus a little wreath.

So that’s where I started. Hadyrland’s modern flag is also a tricolor, though with horizontal bands of white, green, and black. This physically represents the nation, with its frozen north, forested center, and mountainous south. But to give this a bit of dynamism, instead of using three horizontal bands, I used a peaked design.

The Hadysh national coat of arms shows the white-green-black motif:

 

For the wreath I went with something that had berries. The Yew Tree is the national symbol of the nation, as well as being an important religious symbol for the majority of its citizens. So I found a vector of a wreath with berries and moved forward.

I got a banner and then things started going down hill…

So if you look at the Italian crest you see FIR – for the Federation of Italian Rugby (Federazione Italiana Rugby) and at the bottom a simple Italia, which I think most people can get without a translation. Well, I know the Hadysh name for Hadyrland: Volgamfyə /vɔlgamfjə/, but I am missing the “FIR” element. So I started working.

I started with the name “Hadysh Football Federation” and then reordered it into proper Hadysh (while still using English): “Federation Hadysh Football”. “Federation” is the subject, “Hadysh” is an adjective, and “Football” would need to be a genitive noun.

Then I open up my Hadysh dictionary. Which words do I have? Hadysh. That’s it. The adjective form is b̌olgē /bvɔlgi/.

So I have some work to do making up new words. Federation was easiest because it could be a concrete idea. In German the word for federation is Bund. This comes from the same root as “bind” in English, as in “bound together”, which a federation is – units bound together to make a whole. For “federation” I went with a simple word, like German: ya̋f /jaʊf/.

Two down, now “football”. Well, I can break that down into two units: “foot” and “ball” and then recombine them, which in Hadysh would be “ballfoot” with the foot being in the genitive.

Ooooookay…. for “foot” I went with bod /bɔd/, which is a reference to “pode” the Greek for foot. And for ball? ð̌aç /dðaç/. Little bit more work… the genitive for bod is bot (the genitive is usually word + (e)d, but if it ends with d it devoices to t). So the Hadysh for “football” is ð̌açbot /dðaçbɔt/.

But… but… we can take this further. So, oftentimes, words get adopted into a language from another language. “Football” is one of these words that often end up in other languages because it is easier to just adopt a new word then something up. For a bit of fun I decided that in Hadysh ð̌açbot would be the actual piece of equipment, while the word for the sport would come from Union Common, which is a distant relative to Hadysh. I don’t actually have two conlangs going so we needed to de-evolve the words ð̌aç and bot back to the last shared ancestor of Common and Hadysh and then re-evolve it forward to present-day Common.

Common is more like English in how it compounds words so in Common it would be foot + ball instead of ball + foot, so I decided it was best to do the two components separately and then recombine them.

I actually have a chart showing the genetic relationships between Hadysh and some of the other languages back to a language called “Proto Piylo-Tundric” which is the mother of many of the northern languages on the continent Sun-King and others take place on. Whole branches of these languages are extinct so I need to go up six steps and then down five.

Now, not every step is distinct, but it helped think about how the languages worked and this whole thing would come in handy later. Also, the question, why not Sterian for the language if that’s where the sport is most ubiquitous? Common is more of a prestige language and while the Union is not nearly as big as it once was, there are far more Common-speaking nations than Sterian or Hadysh combined.

So, “ball”…

Hadysh to Old Hadysh: /dðaç/ ➝ /ðʲaç/. The decision here was that consonants at the start of stressed syllables underwent sound changes akin to Gaelic/Russian where they could be palatalized before open vowels, unchanged before mid vowels, and labialized before close vowels. /a/ is back, so /ð/ becomes /ðʲ/. The implication here is that as Old Hadysh turned into Middle and then Modern Hadysh, this palatalized phoneme became it’s own sound /dð/ unrelated to /ð/.

Speeding up: /ðʲaç/ ➝ /dʲæç/ ➝ /ˈdʲæk.əl/ ➝ /dəˈkʲʌl/ gets us as far back as it needs to go, back to Old Piylean. Now it needs to move forward through time:

/dəˈkʲʌl/ ➝ /dəˈkʌl/ ➝ /dᵊˈkʌl/ ➝ /gʌl/ ➝ /gɔl/

And “foot” from Hadysh to Old Piylean:

/bɔd/ ➝ /bʲɔd/ ➝ /bʲɑd/ ➝ /bʲɑt/

And now from Old Piylean to Modern Common:

/bʲɑt/ ➝ /pɑt/ ➝ /pat/ ➝ /paθ/

You’ll notice that the word for “foot” has been significantly more conservative than the word for “ball”. This is because a foot is more significant to ancient peoples than a ball. So the word is preserved better. When you look at the ancient word for “ball”, it had two syllables. As it moves toward the present it drops to one with the Hadysh branch keeping the first syllable /də/ (which in its first step away from Old Piylean becomes stressed to /dʲæ/) and the Common branch keeping the stressed /kʲʌl/. The words /dðaç/ and /gɔl/ have nothing in common, but are related none the less.

So the Common word for “football” is /ˈpaθ.gɔl/.

So now I can come up with the acronym for the Hadysh Football Federation: YB̌P for Ya̋f B̌olgē Paþgold.

I will remind you, this entire exercise was for one of those three letters.

So now I can finish… making…

Fuck, Hadysh doesn’t use the Latin alphabet except when I write on the internet. In the fantasy world it would use it’s native alphabet. Luckily I have that alphabet, I just don’t have it digitized. So hang on.

There YB̌P at the top and Volgamfyə at the bottom. The crest is done.

Now I can put together that soccer kit.

There, that wasn’t so hard, was it?

That said, the longest parts were the image manipulations. Even though the linguistics takes up the lion’s share here, I played around with the vectors and the images far longer than I spent making up words. There was also a lot of background stuff with the linguistics, like filling in my dictionary with the new words and their declinations, which is important only to me.

Now will I make a crest for their dreaded rivals, the Sunrays out of Rannot?

 

Probably not.

No.

Cheers, everyone.

Bbvvggvgvgv

So over the last two decades I’ve had to come to the slow realization that not everything might be right in my head. I am guessing those of you who exist outside of my brain have had an easier, less painful time coming to that conclusion.

There’s a particular tick in my brain that makes a lot of things hard on me, namely the inability or dogged unwillingness to divide the rhetorical from the literal.

When presented a question, conundrum, or thought experiment – even when I know it’s rhetorical, when no answer is needed or even desired – I am compelled to answer it. Compelled. As in it often mentally hurts to not answer it, so often times I just answer it because it is easier.

Easy for them to ignore.

Easier for me to then leave it in the past.

It’s not necessarily something I want to do, but I do enjoy it in that way that one enjoys indulging a crave or an addiction.  Sometimes it very much is something I want to do, want to dive into, want to think about, because it satisfies my need to think creatively and to solve problems, no matter how ridiculous.

Here’s an example.

How does one pronounce “Bbvvggvgvgv”?

Well, there’s lots of ways to deal with this. I’ve talked about conlanging quite a bit on this site so you know we have countless options on what we can do.

We can, of course, read it off like a terrible acronym. Bee-bee-vee-vee-gee-gee-vee-gee-vee-gee-vee [bi.bi.vi.vi.gi.gi.vi.gi.vi.gi.vi].

We could invert that for some silliness [ib.ib.iv.iv.ig.ig.iv.ig.iv.ig.iv].

We could try to mix up the vowels a bit in either case, but the fun begins when you ask yourself “what does ‘b’ stand for?” What does b stand for? In English it’s almost always /b/ or some variant of it. Sometimes it is silent. But it’s not like it’ll ever be /t/.

Another question we can ask is “Are there diglyphs here?” Like ‘th’ or ‘sh’ not every letter is one letter, sometimes it is two. Is ‘bb’ a glyph? What about ‘vg’? Could that be a glyph? What sound could it be? What sounds are available? I mean, there are so many more sounds available to human language than just the ones English uses. From the Parisian “guttural R” to the lateral, dental, and alveolar clicks of isiZulu; there are significantly more sounds than one might expect.

So let’s go crazy.

My first assumption, is that without vowels, bbvvggvgvgv is written in such a way that the vowels are implied, potentially in such a way to create harmony or just that they are assigned in consonant+vowel pairs.

Regardless we aren’t given much to work with so in the end we can have a bit of fun with it, right?

I divided it out like this: bb-vv-gg-vg-vg-v. My initial thinking was that the repeated b’s, v’s, and g’s could either be repeated syllables or a diglyph. In all cases I went with diglyphs. In fact, I went so far as to also make ‘vg’ a diglyph because why the fuck not? This took a rather long word and make it much more manageable.

BB was pretty easy for me, I made it /ʙɑ/. /ʙ/ is a bilabial trill, which means you’re trilling the /b/-sound. It’s certainly a fun sound to produce (it’s like a kid making engine noises by forcing extra air through closed lips and making the /b/-sound). I chose /ɑ/ (like hot) because it was easier for me to make the transition from trill to back vowel and gave the word a darker, rumblier feel.

VV was a tad harder. There isn’t a trilled /v/-sound, but there is the flapped /ⱱ/. Flapping and tapping are when one articulator (in the case of /ⱱ/, the lower lip) is forced momentarily against the other (the upper teeth in this case). These articulators are the same for /v/, but they are held together until the vowel takes over. In /ⱱ/ this contact is momentary.

I then decided that vvgg was going to be a single syllable, so for gg I wanted a nice stop sound. Stops are sounds that require the complete stoppage of air and then the release of that air, like /k/, /g/, /t/, and /d/. For gg I went with /ɢ/ but as a rule for this non-existent language, at the end of a syllable it devoices to /q/. To bridge the two I went with /ɪ/, a tried-and-true vowel if there ever was one. This is the vowel sound in “bit”.

So we’ve gotten /ʙɑ.ⱱɪq/ so far.

VG. That’s an interesting sound for sure. Vuhguh. Vuhg, Vg. Weird. Doesn’t really sound like it’d work as a bi-articulated sound the way /k/ and /s/ go nicely into the /ks/ sound in “six”. But what if there was a sound that sort of encapsulated both? V- implies a non-silibant fricative (like /v/) and -G implies a uvular sound… Luckily there are two uvular fricative sounds, one voiced and one voiceless (/χ/ and /ʁ/ respectively).  if VG is at the beginning of a syllable it must be voiced, if it is at the end it must be voiceless (as per the rules above). So it’s either /Vχ/ or /ʁV/ or potentially /ʁVχ/.

But… just maybe… it’s actually articulated in such a way that it becomes its own vowel… sneaky sneak. There’s a symbol for this: /ᵊ/ which basically means “releases on an unstressed vowel”. This is basically how anyone says a consonant when trying to isolate it from anything else. You need a vowel in some form (or a demi-vowel but we’re getting distracted).

So we’re at /ʙɑ.ⱱɪq.ʁᵊ.ʁᵊ/. Looking nice and weird.

For the final v in bbvvggvgvgv I’m going to go old school.  It’s /v/, but in this mystery language, the last syllable is devoiced and must carry the secondary stress of the word. So that makes it /f/. And for a vowel? I went with /i/ (the vowel in see).

We need stress so, my pattern is second syllable is primary and the last syllable is secondary in words with four or more syllables. That gives us: /ʙɑˈⱱɪq.ʁᵊ.ʁᵊˌfi/ and smoothing it out a bit, let’s call it [ʙəˈⱱɪ:q.ʁə.ʁᵊˌfi:].

There you go. BBvvggvgvgv is pronounced [ʙəˈⱱɪ:q.ʁə.ʁᵊˌfi:].

Cheers, everyone.

Mid-Break Editing Updates!

Subtitle: Because I know you care so much!

Happy holidays everyone who’s on today. I hope that between the dour weather, the sour political climate, and the ever increasing pressure to consume beyond your means you’ve found those things that make the season and life itself worth fighting for. Whether its family, projects, charity, art, or a pint of ale with nachos in front of the TV watching the Lions.

It is in these fleeting breaks between the so-called real-world and the world that is real to us that we must try to find our strength of character.

I have, as promised, been extremely busy this holiday. Extremely. Between the car, the house, and general adultships I have spent a great deal of time working on my novels, as I said I would just last update. I even had time to work on some kit ideas, going so far as to even consider doing some kits for my second-world fantasy series. We’ll see if that comes to light, though without logos I doubt it.

So I had a laundry list going into this break:

Finish reread of Book Two and with the first readers’ ideas considered, take copious notes for rewriting the book. 

I got this done, actually, the day before the break “officially” started. I wrote over ten thousand words on the matter, making it about the length of two or three short stories. This was the first time I had tried something like this and I think it was invaluable. I will certainly consider doing it again, though I am not sure if I’ll be as uncertain about the next two manuscripts as I have been about this one.

Book Two suffers heavily from “middle book” syndrome, though I guess it technically suffers from also being the beginning of a story.

See, like the Hobbit was a stand-alone story, its sequel (Fellowship of the Ring) was itself the first book in a longer arc, it can be awkward to shift from a complete story to one that is just the first bit in a long, long arc. While it is not my first time balancing short arcs within a longer arc, I cannot say I have had a ton of practice at it either.

Sun-King Reread and Touch Ups.

I also got through all of Sun-King its reread and touch up and while it did not take a ton of work, there were some rougher spots and a couple larger rewrites. I wouldn’t be surprised if one more is necessary, but that’ll come later. It took five days to do the reread and only meant adding 133 words, which is good because I wanted the length impact to be negligible. Now, a single number doesn’t do it justice. On my busiest day I went from -300 that day to +300 after some cuts to exposition in one place and inserting a new scene elsewhere. Most of the changes happened around the middle.

Not much to say other than I still enjoy reading Sun-King after three years and

Book Two Rewrites.

So there are a lot of notes, as I previously mentioned, and a lot of work to do. The way I do rewrites is to open a new document for the manuscript, put that on one screen, and then open up my notes and the original manuscript on the other.

Then I begin rereading, comparing the notes to what I am reading. If it’s okay, it gets copy pasted into the new doc. If it needs fixing, it gets fixed. If it needs cutting or if it just doesn’t work, I don’t copy it over.

Slowly and steadily the manuscript is rebuilt. Since I don’t retype what works the word count can shoot up extremely quickly. When I have stuff to write, either for the first time or as a rewrite, it can slow down. This way I can get ten thousand words “written” in a day based purely off word-count. Obviously I don’t write that fast. Though yesterday I did get 1,800 words actually written while watching LotR which may or may not have been a good idea.

https://twitter.com/pirmas697/status/812745556598681600

I needed to add a whole chapter to the very front end of Book Two as part of the rewrites. This serves to get one of the inciting incidents of the three arcs in book three closer to the front then where it sits in the current draft.

All in all, I expect this process to take far longer than the break, probably a month or two at least. After that’s done I can head into writing the first draft of Books Three and Four, which I plan to do in one fell swoop, though I might stop to write a more detailed set of plotting notes for Book Four during that period.

I might also begin work on covers sooner than later.

Anyway, this is retreading older material and I am starting to get rather hungry.

Cheers, everyone.

The Unnamed Series – Updates, Ideas, Schedules, And So On…

Okay, so a few people recently have asked to be added to a small but growing list of people interested in reading my books as soon as possible.

First, let me just say that that is just fucking awesome, and I am greatly, greatly appreciative. It’s really cool that without having published a single word, people are interested. So thank you guys. Your interest and kind words a definitely a part of what keeps me trucking.

So let’s talk about where my four books are currently:

 

Sun-King

Sun-King is currently the only book that has been finished and is completely “set to go” from a writer’s standpoint. However from a publisher’s perspective it has a long way to go. It has no cover. There are some tweaks it needs to align it more closely with my current vision of the series, which has shifted slightly after certain events in American politics.

What’s that you say? Politics in a fantasy? Crazy, right? Actually not really. Art and politics are connected like conjoined twins.

Anyway, the tweaks shouldn’t be major and only take a few weeks to complete and get smoothed over. Once that is done? Well, that starts to get complicated so we’ll come back to that.

 

Unnamed Book Two

Book Two has gone to first readers and was first read. They were extremely helpful and I really appreciate the work they put into it. Were you hoping to get into that action? I’m sorry I didn’t extend that out to more people. I’ve gotten much better first reader responses from randos than from friends and family. My first drafts are usually somewhere between “written in feces on a bathroom stall” and “fanfic.net” in quality. They rarely make it out the door. My “rough draft” of Book Two was actually a second draft of a third attempt at writing it.

Maybe that’s an exaggeration…

But they are really, really rough. That’s because I usually write with only the barest outline and so I drop a lot of lines to see what sort of fish bite. I introduce a lot of plot hooks and a lot of characters to see how they all interact and how they make me feel. Then in later passes I will cut these down, expand others, and adjust as needed. Between drafts three and four of Sun-King I literally cut an entire main character, which was not easy.

Book Two is probably going to be the focus of my break, it’ll undergo some very big revisions. Right now I am looking at a net addition of two chapters though I’ve only got notes for about half of the book. I expect/want to finish that up before my break starts. Lots of minor characters cut, plot hooks cut, and hopefully draft three will be good enough for a second set of first readers, so stay prepared.

 

Night-Queen

Night-Queen is just a very, very long plot draft right now. It’s about 16,000 words long and is just a paragraph or two per chapter (I literally have a document called “fixing it all”). As it stands I predict it’ll be about 74 chapters and roughly 160,000 words long. For comparison, Sun-King is about 118,000 and Book Two is roughly 127,000 which I expect to swell to roughly 132,000 (from 127,000) by the end.

When I actually get around to writing book three, which will be sooner than later, I expect the process to be a bit faster than usual because it’ll be much more plotted out than my previous works when I’ve started them. But I don’t want to throw out any dates right now.

 

Unnamed Book Four

So Book Four is currently just a 2,500 word plot synopsis that needs to grow into a full 15,000 worder like Night-Queen. I expect, as of now, for this to be closer in length to Book Two. This’ll wrap things up for this story and these characters, but I do have more planned in this world, which I plan to explore at different time-frames and with different characters. But that’s not really for now. As of now, Book Four has had the least amount of thought put into it and that is a tad scary because I need a goal to aim for as I continue to put words down into word docs.

After revisions are finished with the first two books, I will consider finishing the plotting for Book Four before even touching Night-Queen. Not sure.

 

Publishing Side

The other issue, which I touched on briefly above, is the whole publishing side of things. Covers. Formatting for print, kindle, nook, kobo… there’s a lot to be done and I’ve got a lot to learn. I also need to set up an actual publisher webpage that doesn’t just redirect here, set up some preview copies to get some reviews in early to help release-day traffic. I need to get a twitter set up and tweeting my book and writing related news in such a way that it doesn’t pester the uninterested but is easy to find for the interested. I’ll still talk about writing here and on my personal twitter, but expect most business stuff to come from my business twitter once that gets set up.

So if you’re one of those people excited to read my book(s) this is where you’ll be the most helpful – reviews = standing, standing = sales, sales = my ego.

I’m only partially kidding there.

So there is a lot to do. A lot. And I only know how to do some of it. I’m excited to learn, though. I’m excited to get these out to you guys.

So let’s end on a mixed note. They say that telling people your goals is counter-productive. You assume that they’ll hold you to it, but that isn’t true. Instead you get the same mental release as completing it, but you haven’t completed it. And it isn’t anyone’s job but my own to get all this finished. That’s the downer.

The upper is that I think I have a schedule, in my head, and it is doable. The part I am willing to share is that once the first book is out, I’ll be releasing them in an orderly fashion every six months. The hard part is releasing Sun-King, which is contingent on the other books being nearly wrapped up. My gut says to publish it I need Book Four to be in a second draft phase.

We’ll see.

Anyway, this is a lot of time spent writing here and not in my books.

Cheers, everyone.

Trophies

So this topic has dropped on my twitter a few times recently so I wanted to get some stuff off my chest while I procrastinate other, probably more important, work. Let me say this first – this is an opinion piece, one written with a bit of a bone to pick with no one in particular rather a sentiment that I’ve seen a lot and honestly don’t agree with.

Take it as you will. If you don’t think you fulfill the niche I’m bitching about, good on you. If you’re reading this and getting pissed perhaps I hit a nerve.

I’m fucking sick of hearing about “participation trophies”. Flat out, I’m just fucking sick of it.

I had a closet full of the fuckers, ribbons, trophies, some huge ones that were nearly legitimate. Trophies were completely overblown in that day and age and apparently still are. I remember my third place pinewood derby trophy being like a foot and a half tall. Just showing up got you a six inch tall one.

It was insane.

You’d sneeze and get trophies.

Growing up I remember once not getting some sort of reward for trying. When I was in karate, like all good 90s kids, I was turned down to attempt getting my yellow belt. I remember not being in karate for much longer after that. But that was it. That was the only “real life lesson” I’d get until, essentially, I was in real life during my twenties.

The thing is I was in elementary and middle school when this was happening. I wasn’t a whiny brat. I wasn’t crying or even really wanting any of these damn things. It was the institution. They were being thrust into our faces. Whole scam award/distinction industries like Who’s Who popped up in this time frame. People were literally PAYING to have their kids rewarded.

Meanwhile our schools just churned over and over, trying to make sure we all kept together now. Again – we were kids. We didn’t go to PTA meetings. We didn’t vote for school board. We didn’t have any fucking say in any of this. These were the institutions that already exists and we were forced to cope with.

So when Millennials began growing up and moving on, suddenly the tone changed.  Suddenly we were entitled little brats and those fucking trophies, those trophies that had been forced into our hands by the adults in our lives were exhibit “a” in a case closed before it was opened. I’m not sure any of us consented to the system, I mean we enjoyed it, but we were little kids, of course we loved getting stuff. But we were also smart enough to understand that we didn’t need them or even really deserved them.

When I wasn’t selected to move on to yellow belt I didn’t cry, I didn’t scream, I understood I hadn’t put the work in and didn’t deserve it. I felt like shit, because the instructor was publicly calling this shit out, but I got it. I understood. Kids are smarter than most adults give them credit for. Kids are hardier than most adults give them credit for.

They aren’t the participation trophy generation.

Their parents are.

Their parents were the one handing them out. Their parents were the ones yelling at the teachers and not the kids. Their parents were the ones who needed the gratification of raising winning kids without the effort to raise kids that win. And so it was passed on to us, unwitting and innocent, until we were old enough for the very same people handing us trophies to turn on us and complain that we were entitled, couldn’t handle ‘no’, couldn’t stand up to the challenges of real life, removed from reality.

And honestly, with facebook and the rise of parenting for likes and retweets it is only going to get worse.

But don’t blame the kids. Don’t blame the kids dragged across the stage at first grade graduation. Don’t blame the kids having trophies and awards and ribbons thrust into their little, grubby hands by the very adults who then turn around and bitch about how we’re the entitled generation.

I think I speak for a huge number of Millennials when I say “if sending you all my trophies back will shut you up; what’s the address?” I don’t want them (never did), I don’t need them (never will), and you won’t shut the fuck up about them.

And I hope Millennials did learn a lesson, on how not to treat the generation after us.

Anyway.

O. Wait. Before I go.

Piers Morgan?

Go fuck yourself with the wide end of a rake.

Cheers, motherfuckers.

Mid-Autumn Review

Got a bit of time before an afternoon appointment ends up sinking a good chunk of our afternoon so I thought I’d get a rambly life review post out of the way. This is going to shift topics pretty quick so try to keep up.

Wine

After a half-year hiatus due to the move, our wine bucket is full again this time with a straight pomegranate wine. Right now the smell is amazing and fermentation is roaring ahead. I’m looking forward to the finished product.

In a week or two, we’ll get a second batch going: this time of raspberry wine. That too should be amazing.

And once winter sinks in, we’ll look at upgrading our wine cellar with some stone work and some decent racks and perhaps even a wine cooler.  We’re probably looking at doing it ourselves so expect a full how I managed it post at some point.

The House

We’re settling into the house quickly. We’ve already done a lot of work and we’re looking at getting the roof fixed first thing is spring. We also looked into either doing siding or remodeling the bathroom, but those ended up falling out of our price range. Too bad, both of those things can seriously go with an overhaul.

We’ve almost entirely unpacked as well, notable exceptions are bags of stuffed animals in the bedroom as well as organizing our clothes. Plus there is a giant tupperware  container in our office plus a box that needs to find a home. The office is now fully equipped for coffee production, freeing up much needed space in the kitchen (an issue that came very much to light when depipping ten pounds of pomegranates.

Otherwise we’re settled and extremely comfortable. The benefits of living so much closer to work and friends has already paid off, plus the reduced cost from the mortgage every month is helping as well. Walking is way, way up thanks to the myriad of stores and restaurants near-by, and we’ve signed up for fencing classes, our first since uni, so hopefully I can burn this damn beer gut away.

Writing

Been getting a lot done on the writing front, even if I haven’t been talking about it.

I am not participating in NaNoWriMo, so don’t expect word counts. I do plan to get some editing done, but there may or may not be some huge overhauls in my plans for the coming year/year and a half.

Brigid and I have been talking timing and publish for my four novels, which will either fall under her pre-existing company or more likely my own that I will set up when the time comes. The current plan is a release schedule something like this:

Sun-King: Q2 2018
Book 2: Q4 2018
Night Queen: Q2 2019
Book 4: Q4 2019

None of that is cemented, in fact I think it is safe to say the release schedule will likely get pushed back even further.

Why?

Well I’m a slow writer, mostly. I wanted book 3 (Night Queen) to at least be written (first draft) before I pull the trigger on publishing Sun-King. But Brigid very honestly pointed out that at the rate I write, I might want book 4 (is it strange I have the most trouble coming up with titles for the even numbers?) in the first draft stage and book 3 essentially wrapped up from the writing perspective.

I might plot out and write books 3 and 4 here in the next year – one giant binge of writing. Then I’ll have a first reader or two go through all four books and realign the consistency of the tone and action. That way I don’t have to keep going back to Sun-King when I make adjustments in Night Queen’s plotting.

It’s a lot of work, and the encouragement I get from you guys is, and always has been, great.

So thank you very much.

Kit Nerd

I’ve still been kit-nerding it up lately, messing around with sponsors and even going as far as to look beyond my normal front sponsors, manufacturer, and experimenting with a bit of color.

puma_strohs

A clean-ish rouge kit sticking on the piping theme from the official kit nerd post. In this series I went with Stroh’s as the official sponsor, following the tradition of teams like Liverpool and Newcastle who proudly wore their favorite session beers on the front of the logo. With this particular kit the dark red above the black collar isn’t the back of the shirt – it’s actually an inset of the front, so the collar is a rather traditional cut while also giving the effect of wearing an undershirt even when you’re not.

puma_strohs_plain_w_gold puma_strohs_plain_w_gold_bired

A bit of a cleaner design, in my opinion. A minimal amount of gold breaks up an otherwise plain rouge kit (top) or divides the rouge from a darker shade (bottom). I like that the Puma and DCFC logos follow the swoop, gives it a more balanced effect then when used above. I like them both quite a lot, with perhaps a slight preference to the plain one on top. The Stroh’s logo ads a lot of colors but if done right (and DCFC has been doing their sponsors right – with transparencies instead of giant bounding boxes) it still looks good. In fact the red and gold in the logo are really great with the rest of the get up.

puma_strohs_plain_w_blue puma_strohs_plain_w_blue_bired

Now on twitter I mentioned these would probably be a bit controversial (though that has so-far proven untrue). Instead of gold accents, I went with the blue from the Stroh’s logo, something unheard of for DCFC. I want to go on record saying I prefer the gold more and that I don’t actually want to see blue added to our kits, but it was a fun little experiment which I think looks good. In this case, though, I think the Rouge – Blue – Dark Rouge works better (instead of the plain one as was the case above). Maybe the blue stands out better with the defined line between the reds and isn’t lost as much.

Anyway, that is a life update. Cheers everyone.

A Follow Up to Moderating

A brief follow up to my recent post on moderating.

After posting it I had a few people who read my site reached out and thanked me, which I always appreciate that.

But I also had a user just today reach out spontaneously by PM and thank me too, which not only doubles my count but is also a big part of why I do what I do.

You’re welcome Gary. And everyone. No plans on quitting anytime soon.

Thoughts on Moderating

Banned someone the other day.

I do it quite often, actually, and though it seems almost petty to think about, I often remove someone’s ability to see a whole website more often than most people. I talk about moderating on and off, mostly because I am behind an NDA and get too much into details like the system we use or who gets what.

The identity of the guilty is generally a private thing, known only to those involved.

That’s okay, I prefer it that way. I prefer that no one has to know. At least once I’ve infracted someone I knew IRL without knowing it at the time.

At least once someone used my website to reach out to me to protest a ban.

If you are reading this and contemplating the same, I’ll save you some time – don’t. Just… just don’t.

Moderating is an interesting profession, all things considered. It certainly gives you an insight to human psychology that I think would even make most retail people blush. Sometimes someone gets back to you with such pure, unadulterated hate that even after more than a decade of life on the internet I pause and read it a second time to see if I got it the first.

I am digging through 117 pages of 25 PM threads each right now for a gem I hold closely.

“No one cares you stupid faggot. Kill yourself.”

What did I do or say to get this? I reminded him that the rules require users to bring up issues with the staff privately.

Over the years I’ve been told to suck a lot of dicks. Been called the n-word more times than I am comfortable with. “Faggot” is a popular one. Often users will offer to rape my significant other or allude that they’ll rape me. Few guess that I am married so they usually refer to a “girl friend”.

Racism and homophobia play key roles in the insults thrown at me, though a large portion of our user base (and certainly the more… colorful segments) are from eastern Europe where it seems those two are go-tos for insulting the powers that be.

A lot of people, a lot, reach for the “freeze peach” card. To them free speech is some universally guaranteed commandment over all other rights. It supersedes property. It supersedes national boundaries. It supersedes human dignity. This is the internet and god dammit they can call whoever they want an n-word and tell them to kill themselves and there is nothing we can legally do.

Other than ban them.

Apparently I am a wanted man in Latvia, or so some freeze peach homophobe would lead me to believe.

Anyway. I’m getting side-tracked with belly-aching. I banned a man the other day. I’m sure that’s the story you all want to hear. It isn’t always easy. Sometimes you feel bad. Sometimes you need to tell yourself that their sob stories are lies. That they stole it because they’re cheap. Because they don’t value the work of others. Because the truly hate the idea of both supporting your company as much as going without a game.

A certain level of cynicism is necessary when dealing with people on the internet because there is no way to validate any claim they make. I had one user go as far as to offer to send me [nude] pictures proving they were trans after they were infracted for insulting trans people.

A) That doesn’t undo your insults.

B) I can google trans before and after pics too.

You eventually just stop believing people. Everything becomes a cover. Everyone is lying. Everyone has some terrible seed of vile hatred inside them waiting for anonymity.

Everyone is ready to make a false equivalent.

“How is ‘Kebab’ racist? I can call a Frenchman a ‘baguette’.”

I don’t know, maybe because one comes from a video demanding genocide? I mean, if we’re going to get technical it’s because the rules say so? Perhaps that you rely so heavily on racist monikers should be something you should do some soul searching on instead of bitching to me for calling you out on it.

No one ever trolls, either, I find. I know because nearly every, single, poster I’ve infracted for trolling replies back within a day to tell me that they weren’t actually trolling and in fact it was the other guy who was doing all the trolling. They didn’t mean to suggest that they were mentally deficient and that their opinions were akin to the holocaust.

Honest.

Protip, wrestle with pigs for too long and bystanders will have trouble telling the difference.

Anyway, banning. I banned a man the other day for pirating. Sometimes it is well earned. Some go out in a blaze of glory, admitting that the stole everything and saying that they’d do it again too because we’re evil/libtards/gay/white guilters/whatever fascist bullshit catchphrase is on everyone’s tongue that week.

Those ones are easy.

Cathartic even.

This was a kid from Lithuania. Said he couldn’t afford the game and that it was hard to come by. The error he was having made it extremely obvious he had pirated it and then he admitted as much to the other users. So I banned him and swept it all under the rug.

Gone.

Poof.

Isn’t much left to talk about. But it made me think. Made me think of what we do and why. With nearly 3000 PM threads in my inbox I can only remember one “thank you”. One. That’s it. Lots of people telling to kill myself, or hoping that I or someone I love is raped. One thank you.

Sometimes I wonder why I do what I do. Wonder what I get out of it all. I must get something out of it because I keep going back, keeping fighting our fight.

Maybe I just want to see a second “thank you”. Maybe I get a sick pleasure from the power and pain. Maybe it feeds a martyr complex. Maybe it fulfills my desire to feel like I’m doing a small part to combat the vile trolls that grow in the internet’s dark corners. It’s probably a combination of all that and some other little ticks that I can’t think of right now.

I have no desire to stop, really. In the end, in the end I enjoy the comradery with my fellow moderators. I enjoy thinking I am doing good. And yes, to a small extent, I enjoy the shrieking death throes of trolls, pirates, and fascists as they flail powerlessly at the keyboard. Calling me all number of horrible things. Threats and slurs are all they have in their arsenal.

 

It’s only weakness. An utter lack of agency to stop the inevitable. A refusal to lay in the bed one made.

In a sad, or perhaps glorious, way it makes me stronger. Makes me a better person.

Maybe that’s why I stick to it.

 

The 2016 Summer Wrap Up

No this isn’t a thing, nor do I plan to make it one, but there’s a lot going on and a lot on my mind and I’m planning on writing some of it down for the curious and so that it’s here and not floating around taking up space that could be used to memorize useless CAE method codes for work.

NGS Kilts

I sent the order in. We got a few orders, but that’s all. I’m hoping to hear back from our supplier in the next week or so. Technically this is the real deadline, but I’m guessing no one is actually going to take advantage of it.

That’s fine.

I’m amazed I sold as many as I did, to be perfectly honest. It is humbling and awesome that people chose to buy something I designed, so thank you to the handful of you who ordered or even expressed interest in ordering. It means a lot to me.

The question of whether or not we’ll try again is up in the air. My gut reaction is “no” but you never know. So maybe?

The Move

The biggest thing going on in my life right now is the move. That’s right, Brigid and I are moving clear across the city from Howell to Grosse Pointe Woods. The move should be wrapped up 23 September. We and everyone involved (three families total) are cleared for our individual closings so it is all about scheduling at this point.

Brigid and I are supremely excited for this, and I’ve talked about it elsewhere so I will spare the details here. The short of it, though, is Brigid can begin writing full time! That’s super exciting for both of us and it means that she will hopefully eclipse my income shortly and then make us a billion dollars so we can retire at 35.

Surgery

I’ll keep this brief – I am going under the knife Friday (2 September) morning for a regular, minor, elective surgery. No big deal (hopefully). If things go right it’ll be a speedy recovery.

Book Two

Let’s end on a high note! The first draft of the still untitled book two of my series is complete! Huzzahs! I have a lot of editing to do, so expect those updates as I quickly try to rebuild the whole thing from the ground up a fifth or sixth time. I really like where it ended, I like what the characters got done, but I also recognize that it needs a lot of work. Hopefully that can get done sooner than later.

I’m taking a bit of a break from writing directly and switching to replotting out books three and four with much more detail than I have in the past. Hopefully this will make writing the last two installments a much quicker affair with fewer total restarts.

On the publishing side of things I might poke a few more agents, but at this point I want books one and two totally done and book three mostly done before moving into indie publishing, this way I can maintain a semblance of a release schedule. The idea would be to publish one book roughly each year starting around summer of 2018. I think that is an extremely doable goal, so no putting on the breaks!

Thanks everyone for keeping up on this site and hopefully we’ll see you at Soktoberfest and the so-far unannounced (probable) house-warming party.

Sláinte!